Advanced Projects Group—led by myself (Stewart Smith) and Robert Gerard Pietrusko—worked directly with Pi co-founder Blaise Agüera y Arcas, Pi Senior Director Travis Beals, and their incredibly talented colleagues to create materials for pitching “Suncatcher” to Google / Alphabet executives—including Google CEO Sundar Pichai and Google co-founder Sergey Brin. Our effort was a success.

Grandaddy’s performance consisted of three sets: Every single track off The Sophtware Slump in order, followed by a first encore heavy with Sumday (2003) tunes, and a second encore closing with the raucous career-early hit A.M. 180. After the show I headed backstage to say hello to the band. (It’d been several years since last chatting with them in person as part of an impromptu interview for my music and politics rag, Tweed Magazine.) I sheepishly passed Jason a little handwritten “thank you” note for all the countless hours of enjoyment his music has given me—and for not suing me when I made my fan video for Jed’s Other Poem.

From the the Nobel Foundation’s official announcement: The Nobel Prize in Physics 2025 was awarded jointly to John Clarke, Michel H. Devoret and John M. “for the discovery of macroscopic quantum mechanical tunnelling and energy quantisation in an electric circuit.” The photo above was snapped by Dr. Florian Carle, Managing Director of Yale University’s Quantum Institute (YQI), during my 2022–2023 artist residency at YQI. Dr. Devoret (on the left) was patiently explaining to me (on the right, back to camera) the graphical power of Feynman diagrams as a logical reasoning device. I am not a physicist, and had little business receiving such focussed attention—exactly one of the joys of participating in Florian’s residency program.

For the second year in a row I’m participating as a Webbys judge—and I’m excited to boost the latest and greatest creative uses of the Web in particular. Our celebrity judge this year is actor Walton Goggins. He wants to see the cool things you’ve made, so submit your work ASAP.

It feels like a lifetime ago; an entirely different online landscape. Before smart phones existed. Before social media took over. In honor of the anniversary I spruced up my old description of the project with more photos, screen grabs, and personal anecdotes. I’ve even caved and added the Jed source code to GitHub. Also timely: Grandaddy is currently on tour in the US in celebration of the 25th anniversary of their breakthrough album, The Sophtware Slump. Catch ’em while you can!

With less than ten minutes until our scheduled group appearance, our gang of four huddled in a corner of Microsoft’s Soho office “garage” to introduce ourselves to one another. Our panel consisted of Amy Peck (Founder & CEO, EndeavorXR), Sam Hunter Magee (Director on Creativity and Entrepreneurship for the Lemann Program at Harvard), Tiya Gordon (Co-founder & COO, It’s Electric), and myself. I was happily outclassed. I had a good feeling about our panel.

Peter Galison, Robert Gerard Pietrusko, and myself have collaborated on a short film specifically for the Venice Biennale that meditates on the coordination of multiple radio telescopes around the world to create an Earth-sized “camera”—a transformation of our planet into an instrument for “seeing” far beyond our own Milky Way galaxy. Our film serves as a preview for our entry in the inaugural edition of the interactive Antikythera journal, an MIT Press publication.

The Webby Awards, colloquially referred to as “the Webbys”, are awards for excellence on the Internet presented annually by the International Academy of Digital Arts and Sciences, a judging body composed of industry experts and technology innovators. Categories include websites, advertising and media, online film and video, mobile sites and apps, and social media. In its early years, the awards were hailed as the “Internet’s highest honor” and was associated with the phrase “The Oscars of the Internet.” The unforeseen repercussions that Tim’s gift hath wrought…

Under those immense allergy constraints, this delectable lasagna shouldn’t be possible—but Jake promises us that it is oh-so-real. (And it is.) Made with brisket, pork shoulder, and loads of vegetables, the Kale Robot delivers again.

Meeting in the Weitzman School of Design, we’ll review each group’s short film; the culmination of their semester’s efforts. Each film is composed of three chapters: An investigation of a chosen “natural” disaster, a resultant conspiracy theory (either existing or fabricated for the purposes of this course), and a speculative design proposal for a future institution arising from the group’s constructed context.

HarvardXR’s goal is to provide a platform for students, researchers, practitioners, and entrepreneurs to discuss how XR is shaping the future across different industries. I will be speaking at 2:20pm this afernoon in Room A: 1.321 as part of the Immersive Reality session, anchored by the legendary creative technologist, Bradley Munkowitz (AKA “GMUNK”). See the complete Speakers list.

His answer? Roast that pumpkin, wrap it in a soft taco, and top it with homemade mole sauce, of course! Because everything can be a taco if you dream hard enough.

It was a fairly dark autumn in America, with the presidential election contest between democracy and fascism looming against the backdrop of the COVID-19 pandemic which had so abruptly turned the country upside down half a year earlier. (Not to mention climate change; the hottest summer and autumn on record to date.) Revisiting this old animation idea was a pleasant break from the reality around us—and served as a birthday present of sorts for Thom Yorke and Stanley Donwood who share my birth month of October; the best month.

Read more about the Black Swan music video here, or visit and execute the animation here.

I was lucky to receive an introduction to SXSW Pitch event producer, Chris Valentine, via prolific strategy prodigy, Cindy Mallory. (Cindy has served on the SXSW Pitch Advisory Board for some time, and is also New York Chapter President for the VR/AR Association.) Chris felt I was a good fit for the board, and soon afterward I was put to work seeking new startups to submit their pitches—and excited to participate in the first (pre-SXSW) round of judging. It’s been a fun experience so far, and a fun way to reconnect with SXSW.