Earlier this evening indie-rockers Grandaddy delighted longtime fans and latter devotees alike with a live performance of their “Sophtware Slump” (2000) record in its entirety to mark the breakthrough album’s 25th anniversary. The crowded silver jubilee show at Brooklyn Steel comes near the close of a reunion tour that has spanned the width of America over the past two months, wrapping in Philadelphia this Saturday.

Grandaddy’s performance consisted of three sets: Every single track off The Sophtware Slump in order, followed by a first encore heavy with Sumday (2003) tunes, and a second encore closing with the raucous career-early hit A.M. 180. After the show I headed backstage to say hello to the band. (It’d been several years since last chatting with them in person as part of an impromptu interview for my music and politics rag, Tweed Magazine.) I sheepishly passed Jason a little handwritten “thank you” note for all the countless hours of enjoyment his music has given me—and for not suing me when I made my fan video for Jed’s Other Poem.

This week marks twenty years since publishing my music video for Grandaddy’s song “Jed’s Other Poem”—a musical elegy for a deceased robot character. What began as a renegade fan video would eventually become embraced by the band and their label, V2 Records.

It feels like a lifetime ago; an entirely different online landscape. Before smart phones existed. Before social media took over. In honor of the anniversary I spruced up my old description of the project with more photos, screen grabs, and personal anecdotes. I’ve even caved and added the Jed source code to GitHub. Also timely: Grandaddy is currently on tour in the US in celebration of the 25th anniversary of their breakthrough album, The Sophtware Slump. Catch ’em while you can!

This week makes three years since publishing my (unsolicited) browser-based music video for Thom Yorke’s 2006 track Black Swan. Rather than film footage, video, or pre-composed animation, my music “video” is composed of website elements pushed around in realtime as you watch it via a mixture of style sheet and JavaScript commands.

It was a fairly dark autumn in America, with the presidential election contest between democracy and fascism looming against the backdrop of the COVID-19 pandemic which had so abruptly turned the country upside down half a year earlier. (Not to mention climate change; the hottest summer and autumn on record to date.) Revisiting this old animation idea was a pleasant break from the reality around us—and served as a birthday present of sorts for Thom Yorke and Stanley Donwood who share my birth month of October; the best month. Read more about the Black Swan music video here, or visit and execute the animation here.

Somehow it’s been two decades since our hip gang of undergrad designers created a “fatally conceptual” folding exhibition catalog for our university’s MFA candidate exhibition.

You can read all about it here.